ISBN:
9781487530631
Language:
English
Pages:
1 online resource (588 pages)
Parallel Title:
Erscheint auch als
DDC:
306.345
Keywords:
Literature-History and criticism
;
Electronic books
Abstract:
Comintern Aesthetics shows how the cultural and political networks emerging from the Comintern have continued, even after its demise in 1943.
Abstract:
Cover -- Title Page -- Copyright -- Contents -- Illustrations -- Chronology: Comintern Aesthetics - Between Politics and Culture -- Editors' Note -- Introduction: Comintern Aesthetics - Space, Form, History -- Interwar/Postwar, East/West, Modernism/Realism -- Organization of the Volume -- NOTES -- PART ONE: Space: Geopoetics, Networks, Translation -- Chapter One: World Literature as World Revolution: Velimir Khlebnikov's Zangezi and the Utopian Geopoetics of the Russian Avant-Garde -- World Literature: Beyond the Nation and the Market -- The Utopian Geopoetics of the Russian Avant-Garde -- Between Totalization and Rupture: The Mediating Function of Geopoetics -- 1920: Uneven Development and the Eastward Turn of the Comintern -- Khlebnikov in Baku, or the Utopian Geopoetics of Eurasia -- Khlebnikov's Zangezi and the Legacy of Tatlin -- Zangezi: A World-Text -- NOTES -- Chapter Two: Berlin-Moscow-Shanghai: Translating Revolution across Cultures in the Aftermath of the 1927 Shanghai Debacle -- NOTES -- Chapter Three: India-England-Russia: The Comintern Translated -- NOTES -- Chapter Four: Seeing the World Anew: Soviet Cinema and the Reorganization of 1930s Spanish Film Culture -- The PCE and the Comintern in Context -- A Transversal Fascination: The Comintern and Intellectual Circles -- Learning Revolutionary Aesthetics -- the Appeal of Soviet Cinema in Spain -- Film Clubs and the Bourgeois Introduction of Soviet Films in Spain -- Soviet Cinema and the Synthesis of Education and Emotion -- Nuestro Cinema and the Organization of a New Spanish Film Culture -- Conclusion -- NOTES -- Chapter Five: The Panorama and the Pilgrimage: Brazilian Modernism, the Masses, and the Soviet Union in the 1930s -- Patrícia Galvão: Print Culture, the Proletarian Novel, and a Global Mass Aesthetic -- Tarsila do Amaral: Painting and Pilgrimage.
Note:
Description based on publisher supplied metadata and other sources
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