ISBN:
9783319551739
Language:
English
Pages:
1 Online-Ressource (172 pages)
Parallel Title:
Print version Gržinić, Marina Regimes of Invisibility in Contemporary Art, Theory and Culture : Image, Racialization, History
DDC:
301
Keywords:
Arts and society--Europe--History
Abstract:
Regimes of Invisibility in Contemporary Art, Theory and Culture -- Contents -- List of Tables and Figures -- 1 Introduction: Image, Racialization, History -- Part I Theoretical-Political Interventions -- 2 Racialized Bodies and the Digital (Financial) Mode of Production -- Introduction -- Part 1: From the Cinematic Image to… -- The Movement-Image-Indirect-Time Interval-Exteriority of Space-Organic Form -- The Time-Image-Direct-Time Interval-Anteriority of Space-Serial Form -- Time Through Space -- The Movement-Image-Indirect-Time Interval-Exteriority of Space-Organic Form -- The Time-Image-Direct-Time Interval-Anteriority of Space-Serial Form -- The Movement-Image-Indirect-Time Interval-Exteriority of Space-Organic Form-Nation -- The Time-Image-Direct-Time Interval-Anteriority of Space-Serial Form-Postwar Middle Class, A New Form Of Intellectual, The Bourgeoisie -- Shifts in the Space-Time Paradigm -- Part 2: In Cyberspace with the Virtual-Image -- Space Through Time -- The Virtual-Image-Real-Time Interval-Non-Space-Synthetic (Artificial, Simulated) Form -- The Virtual-Image-Real-Time Interval-Non-Space-Synthetic (Artificial, Simulated) Form-The Multitude, Swarms -- Part 3: In The Midst of The Trophy Image, or Europe's Forgotten History: From "Human Zoos" to "Human Trophies" Displayed in Colonial Museums -- Racialized Space and Time -- The Trophy-Image-Without Time-Erased Space-Racialized Form -- The Trophy-Image-Without Time-Erased Space-Racialized Form-The Wretched (The Superfluous and The Disposable) -- Notes -- 3 Politics and Aesthetics of Databases and Forensics -- Expanding the Visions of Governmentality Beyond the West and Back -- Database as Major Global Neoliberal Governmental Technology -- Practices and Forms of Knowledge Production and Visibility -- "The ICTY's Archive/database" -- Public Exhibition as a "Forum
Abstract:
Databases and (im)possibility -- Notes -- 4 The Emancipation of Necrocapitalism: Teleological Function of Liberalism and the Optimization of Hegemony -- Depoliticization of Ideology -- The Sovereignty of Hegemony -- The Teleology of Transgression -- Notes -- 5 The Impact of Western Society onto the Identity Politics of Sexual and Gender Minorities in Colonial and Post-colonial India -- Global queering -- Imposing Western Epistemology -- Western Concept/Construct of Homosexuality, Trans* Identity and its Transposition to India in The Colonial and Post-colonial Era -- Notes -- Part II Visual and Curatorial Deconstructions -- 6 Radical Contemporaneity -- Introduction -- Case 1: Labyrinth -- Case 2: Naked Freedom -- Case 3: Relations -- Case 4: Seizure -- Conclusion -- Notes -- 7 Affective Constructions: Image-Racialisation-History -- Dialogue: The Dialectic of a Profile -- Effect, Intensity, and Reconstruction: Differences in History and Geography -- Who Are You? Who Am I? -- A Conclusion About the Logistics of Moving -- Notes -- 8 Spiritual Revolutions: Afropean Body Politics and the "Secularity" of the Arts -- Notes -- Part III Histories Disclosed -- 9 "Contingent monuments:" *Constructions of Publicness in the Fascist Italy Exhibitionary Complex 1920s-1940s -- "Make it modern:" the Rome Quadriennale and the Mostra della Rivoluzione fascista -- Editing Façades, Constructing Exhibition Spaces: The Venice Biennale -- Notes -- 10 Screened Otherness: A Media Archaeology of the Romani's Criminalization -- Introduction -- Poets and Rogues -- "Gypsy-Criminality" and the Urge of "Truth-Telling" a Century Later: A Country Stabbed in Its Heart -- New Genres and Forms Creating Blurred Boundaries Between the "Putative or Real Gypsy Characteristics": A "Reconstructed Newsreel" from 1908 -- "Good Roma, Bad Roma" -- Imagined Encounters of Imagined Communities
Abstract:
Notes -- 11 The Painting and Its Histories: The Curious Incident of Rembrandt's Painting Quintus Fabius Maximus -- Notes -- Index
URL:
http://dx.doi.org/10.1007/978-3-319-55173-9
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