ISBN:
9781317424611
Language:
English
Pages:
1 Online-Ressource (311 pages)
Series Statement:
Routledge Studies in Popular Music Ser
Parallel Title:
Erscheint auch als Warwick, Jacqueline Voicing Girlhood in Popular Music : Performance, Authority, Authenticity
DDC:
306.48424
Keywords:
Girls in music
Abstract:
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Examples, Figures and Tables -- Introduction -- PART I: Voice and Agency -- 1 I'm with the Band: Redefining Young Feminism -- 2 Girls at Work: Gendered Identities, Sex Segregation, and Employment Experiences in the Music Industry -- 3 "I Love Beyoncé, but I Struggle with Beyoncé": Girl Activists Talk Music and Feminism -- PART II: Voice and Vocality -- 4 "These Stupid Little Sounds in Her Voice": Valuing and Vilifying the New Girl Voice -- 5 Girls and Puberty: the Voice, It Is a-Changin' -- A Discussion of Pedagogical Methods for the Training of the Voice through Puberty -- 6 The Curse of the "O mio bambino caro": Jackie Evancho as Prodigy, Diva, and Ideal Girl -- 7 Authority, Ability, and the Aging Ingénue's Voice -- PART III: Voice and Authenticity -- 8 Performing Pop Girlhood on Disney Channel -- 9 When Loud Means Real: Tween Girls and the Voices of Rock Authenticity -- 10 You Tube, Twerking and You: Context Collapse and the Handheld Copresence of Black Girls and Miley Cyrus -- PART IV: Voice and Narrative -- 11 The Counterpoint of Aging and Coming of Age in the Mother-Daughter Duets of Tori Amos and Natashya Hawley -- 12 Listen to the Mockingjay: Voice, Identity, and Agency in The Hunger Games Trilogy -- Afterword: "The Art of Yearning -- List of Contributors -- Index.
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