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  • 1
    Book
    Book
    Cambridge ; New York ; New Rochelle ; Melbourne ; Sydney : Cambridge University Press
    ISBN: 0521250005
    Language: English
    Pages: XIV, 183 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Cambridge studies in ethnomusicology
    DDC: 780/.958/1
    RVK:
    RVK:
    Keywords: Musik ; Music ; Songs ; Musiker ; Herāt (Afghanistan) ; Herat ; Herat ; Musiker
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  • 2
    Language: English
    Pages: 52 Blätter
    Additional Material: 1 CD (12 cm)
    Series Statement: Report / Freemuse 1
    RVK:
    RVK:
    Keywords: Geschichte 1978-2000 ; Musik ; Censorship ; Music Censorship ; Music History and criticism ; Zensur ; Musik ; Afghanistan ; Afghanistan ; Musik ; Zensur ; Geschichte 1978-2000
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  • 3
    ISBN: 9781032431314 , 1032431318 , 9781032431321 , 1032431326
    Language: English
    Pages: XII, 219 Seiten
    Parallel Title: Online version Ethnomusicology and its intimacies
    RVK:
    Keywords: Musikethnologie ; Ethnomusicology ; Intimacy (Psychology) ; Ethnomusicologie ; Intimité ; ethnomusicology ; Ethnomusicology ; Intimacy (Psychology) ; Festschrift ; Festschrift ; Festschrift ; Musikethnologie
    Abstract: "Ethnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time. Three major sections on Performance, Auto/biographical strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically-mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain or provoke social or personal intimacies in particular contexts? The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world"--
    Description / Table of Contents: Part I. Musical Intimacy in Performance. Introspection I -- Henry Stobart ; The Intimacy of Interlocking / Paul Berliner ; Spiritual and Emotional Dimensions of Female Lullaby Singing in Afghanistan / Veronica Doubleday ; Afghan Wars and Musical Intimacy / James Kippen -- Part II. Intimate Confessions and Biographical Strategies. Introspection II -- Margaret Sarkassian ; Radio and the Music Confessional / Stephen Cottrell ; Amīr Ḳhusraw Between Balkh and Delhi : The Transnational Legacies of an Indo-Afghan Poet-Musician / William Rees Hofmann ; Meetings With Masterly Musicians : Collaboration, Creation, and Curation in the Pursuit of Ethnomusicological Knowledge / Keith Howard ; Searching for a Voice : An Anatolian Tale / Martin Stokes -- Part III. Filmic Intimacies. Introspection III -- André Singer ; Intimacy in Ethnographic Film: Listening to How to Improve the World by Nguyễn Trinh Thi / Barley Norton ; The Sonic Intimacies of Khosrow Sinai's A Lost Requiem (1983) / Laudan Nooshin ; Intoxicated Intimacies : Drunken Heroes in Greek Popular Film and Song / Dafni Tragaki ; Epilogue. Digital Ethnomusicology in a Socially-Distanced World / Stephen Wilford
    Note: 2312
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  • 4
    ISBN: 9781138205116 , 9781472415820
    Language: English
    Pages: XII, 231 Seiten , Ill.
    Additional Material: 1 DVD (12 cm)
    Series Statement: SOAS musicology series
    DDC: 306.09
    RVK:
    RVK:
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  • 5
    ISBN: 9781315466927
    Language: English
    Pages: 1 Online-Ressource (XII, 231 Seiten) , Ill.
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 1978-2013 ; Music / Political aspects / Afghanistan ; Music / Political aspects ; Musik ; Politik ; Politik ; Musiker ; Gesellschaft ; Afghanistan ; Afghanistan ; Afghanistan ; Politik ; Gesellschaft ; Musiker ; Geschichte 1978-2013
    Note: Includes bibliographical references and index , Before the Communist coup of 1978 -- The jihâd (holy war) era -- The mujahideen parties come to power -- Taliban times -- Kabul after the Taliban -- The global circulation of Afghanistan's music -- The summing up
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  • 6
    ISBN: 9780754657767
    Language: English
    Pages: 108 S. , Ill. , 24 cm.
    Additional Material: CD (12 cm)
    Series Statement: SOAS musicology series
    DDC: 782.4216909581
    RVK:
    Keywords: Amir Muhammad, 1931-1997/ Criticism and interpretation ; Amīr Muḥammad ; Ghazals, Persian / Afghanistan / History and criticism ; Songs, Persian / Afghanistan / Texts ; Sufi music / Afghanistan / Kabul / History and criticism ; Persisch ; Volksmusik ; Volkslied ; Dari ; Musik ; Lied ; Kabul ; Afghanistan ; Anthologie ; Anthologie ; Amīr Muḥammad 1931-1997 ; Kabul ; Lied ; Dari ; Kabul ; Volkslied ; Dari ; Kabul ; Volkslied ; Persisch ; Afghanistan ; Lied ; Dari ; Afghanistan ; Volkslied ; Dari ; Afghanistan ; Volksmusik ; Musik ; Afghanistan
    Note: Includes bibliographical references (p. [101]-104) and index , "Unlike his cousin and teacaher, Mohammad Omar, Amir Mohammad was not an officially government-appointed ustâd (master musician). However, he was generally addressed by members of the public and by many musicians as Ustad Amir Mohammad, and is remembered with that respectful title") p. 32 (b. 1931, Qaabel-Bai, district of Deh Sabz, Kabul Province [Afghanistan]) p. 49. "During the Jihâd era (1978-92), Amir Mohammad was based in Pakistan, and made frequent trips to Iran, especially to sing for the large community of Heratis in exile in Mashhad. He also visited the USA. He died in Pakistan in 1997, on his way to play some concerts in Iran." , CD: Amir Mohammad, voice, with instrumental acc. (rubâb, dutâr, tabla): Kan'âniân agar gol-e bâgh-e to bû konand = If the residents of Kan'an smell the flower of the garden of your beauty -- Ba azm-e tawba sahar goftam estekkhâra konam = At dawn, I determined to consult the book of omens to repent of drinking wine -- Anbarîn-mû 'î marâ dîwâna kard = A musk-haired beauty drove me mad -- Jân-e kharâbâtam = I am the soul of kharâbât -- Hosain-e Ali dar mazârat benâlam = O Hosain, son of Ali, let me moan and cry in pain on your shrine -- Ay âsheqân man âsheq-e dîrîna am = O lovers, I have been a lover for long -- Nasîma jâneb-e bathâ gozar kon = O breeze, travel to the land of Bathâ -- Tarâna
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